DFW Jazz Artist Directory
Below, search for DFW Jazz Artists by keyword and/or instrument. View all DFW Jazz Artist Listings Here
Below, search for DFW Jazz Artists by keyword and/or instrument. View all DFW Jazz Artist Listings Here
Dan Haerle is a composer, performer, educator, and ambassador of jazz piano. A Regents Professor Emeritus of Jazz Studies at UNT, he has authored instructional material used by thousands of musicians worldwide. He is a member of the International Association of Jazz Education Hall of Fame. The Jazz Education Network recognized him as part of the inaugural class of the LeJENds of Jazz award. Through participation in a variety of educational programs, he has benefitted countless musicians from youth to professional. He continues to teach jazz piano and improvisation at the Dallas School of Music and private online lessons. Haerle has performed with Clark Terry, Pat Metheny, Freddie Hubbard, and numerous other modern jazz leaders, and has recorded multiple albums featuring his own music as well as jazz standards. Changing the way you think about the vibraphone (it's not a xylophone) one performance at a time. A professional singer/voice over artist, I currently returned to my Dallas/Ft. Worth roots, but worked in New York for over twenty years. I’ve done hundreds of voice overs and thousands of singing jobs which include jingles, studio sessions, jazz gigs as well as corporate and social gigs. Voice over clients include MasterCard, Allstate, Travelocity, and Johnson&Johnson. Ballads, Latin, smooth and swing jazz plus pop. Bassist James Driscoll has been an active member of the Dallas/Ft. Worth music scene for 20 years. He has performed with Doc Severinsen, Dan Haerle, George Garzone, Stockton Helbing, Joe McBride, Ed Soph, Marin Stamm and many more. After earning a BM in Jazz Performance from the University of North Texas, Driscoll began an adjunct faculty position at Richland College (DCCCD) where he teaches bass performance. In addition to his busy performing and recording schedule, Driscoll operates a small studio in Dallas where he composes for music production libraries and mixes and masters artist recordings. The name James Gilyard is attached to many things related to jazz — bassist, composer, producer and lecturer. His early music career included three years in the Army Field Artillery Band. Sought after for his solid and sensitive accompaniment, he has performed with artists such as Kenny Burrell, James Clay, Red Garland, Carla Cook, David “Fathead” Newman, Roy Hargrove, Melvin Sparks, Melba Moore, and Roseanne Vitro to name a few. Voted Sammons Jazz Artist of the Year in 1998, the Oklahoma native would serve as the artistic director of Sammons Jazz from 1999 to 2011, creating many innovative programs such as the Sammons Jazz Youth Program. Sharing his talent in other ways, he formed the Generativity cooperative to produce recordings and channel proceeds into projects for other artists, benefiting more than 20 artists to date. Jason Davis is a musician, composer, educator, and bandleader whose musical adventure started as a 9-year-old classical clarinet soloist for major civic and state-wide events. The modern-day Texas Tenor Man has performed or recorded with artists ranging from the East Texas Symphony, Judy Collins, and Kirk Franklin to Herbie Hancock, David “Fathead” Newman, and Chaka Khan. Currently, the recording studio manager at The South Dallas Cultural Center, Davis is an energetic performer who also produced hugely successful CD projects for Children’s Literacy, Kwanzaa, Environmental Awareness, and New Orleans Traditional Dance Music. Jennifer Barnes has developed a reputation as an exceptional musician through her work as a live and studio vocalist, composer, arranger and educator. Referring to her debut CD recording, “You Taught My Heart”, legendary jazz bassist Rufus Reid says, “Jennifer integrates rich vocal quality, clarity of pitch and emotion with an additional pivotal skill that sets her apart from other great singers; she sings improvisations that are melodically and rhythmically interesting from the point of view of a jazz instrumentalist.” She sang in a nationally aired Chili’s television commercial, and her voice has been featured on television and radio commercials including Epson, Old El Paso, McDonalds and Kellogg’s. She has opened for the Count Basie Orchestra and performed with her trio at the 28th Annual IAJE International Conference in New York City. Jennifer demonstrates tremendous versatility in her ability to not only lead her own small jazz group, but also as a big band vocalist, most notably as the featured vocalist on the Doug Lawrence Orchestra CD, “Big Band Swing”. Primarily a bassist, arranger and producer Jerome Allen has worked on many of sessions-crossing gospel, jazz and R&B. He was a fixture as a performer in the Dallas church and jazz scene before he was old enough to drive. His father, who played guitar in a quartet group, had a profound impact upon his musical upbringing. Once he broke in with John P Kee, and the late Rev James Moore, he gained steady work with the likes of DFW Mass Choir and Rev Gerald Thompson. During 1991 and 1992 the in-demand musician went on the road with longtime personal friend Kirk Franklin and would end up working on several albums - including The Reason Why I Sing and What You’re Looking For and Kirk Franklin and The Family Christmas. Throughout the ‘90s and 2000s Jerome toured with CeCe Winans, Fred Hammond, Yolanda Adams, Wayman Tisdale and Sammons Artistic Director Arlington Jones. Allen has worked and recorded with The Arlington Jones Trio for several years. Joel Cross developed a passion for music in the church, singing gospel songs with his seven siblings. After picking up his first guitar at age 12, it was evident that making music was his calling. His dedication to perfecting his craft eventually led him to the University of North Texas where he studied jazz guitar. After graduation, Joel made a name for himself playing gigs throughout the Dallas music scene. Whether original music or cover, his heartfelt approach showcased his ability to make each piece sound new, truly a sound all his own. One afternoon, while playing the Dallas Arboretum, Joel decided to appease the crowd’s unconventional request for a Taylor Swift song. A fan happened to catch his very soulful rendition of “Shake it Off” on video and uploaded it to YouTube. The next morning, over a half a million people had watched the video, and Joel’s face was on every major news source in Dallas.